mouans-sartoux, paris, eschenau, digne-les-bains, trédrez-locquémeau / herman de vries Post-Fake the newspapers were used to

the newspapers were used to promote Fluxus events and publications

suggesting different narratives for the future and contributing to our collective imagination

Christina Högner

「エンディング（Endings）」「ボディ（Bodies）」「ブリーチ（Breaches）」の3章から成る謎めいたドキュメンタリー表現は、国境で抑圧され、管理されたアイデンティティの概念を写し出す作者の視覚表現の美学の中で、分類・囲いこみ・定義・そして識別に由来する記号論に挑む。

manically negotiates the ever-shifting relationship between contrasting spaces—urban

mouans-sartoux, paris, eschenau, digne-les-bains, trédrez-locquémeau / herman de vries Post-Fake the newspapers were used toherman de vries2024202545syndicat *herman de vries in 2024 and 2025, the eac., the dourven gallery, the aline vidal gallery, and the gassendi museum presented the work of herman de vries, reflecting their long standing relationships with the artist. through a selection of exhibition views, documents of in situ interventions and photographs of the artist in his studios and places of work, this book operates as a succession of visual and geographical